Category Archives: reviews

David O’Doherty Is Looking Up **** The List

David O’Doherty is Looking Up

  • Source: The List (Issue 687)
  • Date: 19 August 2011 (updated 30 August 2011)
  • Written by: Jonny Ensall

David O'Doherty

Immaculate content delivered with furious enthusiasm

David O’Doherty used to work in a German sausage factory. This might sound like a crass comedy set-up, but it is in fact true. His role was to drive a giant Hoover designed to suck up the smashed, sausage-filled jars that tumbled off the conveyer belts. There are no double entendres in this hilarious section of his 2011 show, just a man talking about the mechanics of sausage suction.

Such is the low-key brilliance of the Irishman’s work. Without having to grope around for any jokes he has the crowd happily giggling from start to finish with a stream of songs, anecdotes and observations delivered in his trademark incredulous monotone.

There’s an almost unstoppable momentum to the performance. O’Doherty looks like a comedy athlete – a superhero even in his blue and gold cape. He’s slim (the result of a bacterial infection he helpfully lets us know), and loud – he near-shouts his set with the vehemence of a motivational speaker. The only pause comes when his bottle of fizzy water tips over, threatening to drown one of his beloved tiny keyboards, and offering the opportunity to reference deglaciation and paternoster lakes.

It would, perhaps, be nice to hear some more of these super smart, off-the-cuff asides, but O’Doherty can’t wait to get back into the flow of his (admittedly excellent) material. The practised pace of his winning song-digression-song formula is mesmerising. It’s a packed hour, as accomplished as you’ll find anywhere this Fringe.

David O’Doherty is Looking Up, Pleasance Courtyard, 556 6550, until 29 Aug, 7.20pm, £14-£15 (£12-£13)

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Fiona O’Loughlin **** Chortle

It’s happened to the best of us: sitting in a theatre, perhaps the worse for wear, you find yourself nodding off during the show. It certainly happened to Fiona O’Loughin – but while she was on stage.

That incident was a warning that alerted this Australian comic that she might, just might, be an alcoholic. Nor was it the only warning; by the sound of her anecdotes here, for a few months her life had more red flags than a Communist rally.

The problem seemed to have crept up on her. Until her mid-thirties, she was an ordinary mother of five in the tiny and remote Northern Territories outpost of Alice Spring. But then she started comedy, and before too long those pre-gig nerve-settlers, and those post-gig wind-down drinks became a problem.

Comedy introduced O’Loughlin to alcoholism, and now she’s returning the favour. Maybe it’s one of the less well-known 12 steps: ‘Do a one-woman show about your struggle with the bottle.’

Put that way it sounds unsufferably pious; but fear not, no-nonsense O’Loughlin has no room for sentiment. She still thinks booze is ace – it’s just a shame she drank her lifetime’s allocation so quickly and isn’t allowed any more. She did, at least, get some hilarious drinking tales out of it – even if it was at the expense of her own dignity. She was once so drunk even Prince Philip thought she was inappropriate, the most ironic of the many rock bottoms she plunged through.

She’s a great storyteller – although this is not really a storytelling show, but a gag-packed hour of superb stand-up on her theme. As well as the self-deprecating lines about her own incorrigible behaviour, other jokes come at the expense of her tiny home town, where the very idea of Alcoholics Anonymous is oxymoronic, and from her suffer-no-fools attitude, even when sober. Being a reformed alcoholic just gives her latitude to be mean. ‘I don’t want to be a bitch,’ she protests. ‘But I’m not well…’ On top of this she has the menopause to contend with as well – heaven forbid she should get even more cranky.

Of course there’s a whole self-help industry built up around problems like hers, parts of it more useful than others; and O’Loughlin lays into the likes of Oprah and Dr Phil in routines which were less personal, but certainly seemed to strike a chord with those who do watch such things. A poignant song and slideshow brings the show to a close, but make sure you stick around till the end for the true message of O’Loughlin’s experiences.

She’s a top-flight comedian and this sincere, slick and disgracefully funny show is an great success. Cheers!

Date of live review: Thursday 18th Aug, ’11

Review by Steve Bennett

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David O’Doherty – Is Looking Up **** Edinburgh Spotlight

FRINGE REVIEW – David O’Doherty is Looking Up

*****
David O’Doherty’s endearing Irish charm and quick wit make for a very entertaining hour of standup, interspersed with song. He begins by inviting the audience to be voyeurs at his private party for one and they gladly accept.

In his own words, he is a veteran of many Recessii and here, he offers some tips for personal and countrywide survival in the current one.

He is a man with many complaints about life including being regularly mistaken for Chris O’Dowd from the IT Crowd. It is not hard to imagine why, he has a similar accent, looks a lot like him, from a distance at least and is also a comedian, although to his mind the only similarity is that they share part of their name; ‘O’D.’

Moonlighting as a naturalist and author, O’Doherty also previews his latest literary work, “100 Facts about Sharks”. His previous book, “100 Facts about Pandas,” allegedly made it into the natural history section of a well known bookstore, in spite of not being entirely based on real facts about pandas.

The only thing missing in his expanding repertoire is interpretive dance, which would certainly be worth the 5th star alone!

There is an and innocent silliness to David O’Doherty’s unique style of comedy. His stories usually reflect things that could easily happen to anyone and are effortless in the telling. He attracts a cult following, but his material is accessible by all. He easily sells out one of the larger venues of the Fringe and it is likely that his popularity will continue. He remarked that since he was in the same venue as last year that his career had either plateaued or he was on a pedestal. I think the audience would agree that for now at least, ‘pedestal’ is appropriate.

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